English 311, Section 4 Office: 1204
HW
T, F 2:10-3:25, 509C HW Phone: 772-5110
Barbara Barnard E-mail: bbarnard@hejira.hunter.cuny.edu
Spring 2000 Office hours: T,
F 11:30-12:30 and by appointment
Prerequisites for this course: English 120 and English 220.
Required text: Writing Fiction: A
Guide to Narrative Craft, Fifth Edition, by Janet Burroway (Addison Wesley Longman,
1999).
Books are available at
Shakespeare & Co., across the street at 939 Lexington
Ave. (between 68th
and 69th Streets).
February
T 1
Introduction to the course and "Samuel" by Grace Paley (handout)
F 4
Preface to Writing Fiction and
Chapter 1: Whatever
Works>>The Writing Process, and
Discuss character sketches or anecdotes due on the 15th.
T 8
Chapter 2: The Tower and the
Net>>Story Form and Structure
F 11 Lincolns birthdaycollege is closed
T 15 Character sketch or anecdote due for class discussion.
(Use assignment
#2, 3 or 5 on page 26 to get started, or generate your own story
idea.)
F 18 Sketches continued
T 22 Story #1 due
Chapter 3: Seeing Is Believing>>Showing and Telling
F 25 Chapter 4: Book
People>>Characterization, Part I
T 29 Chapter 5: The
Flesh Made Word>>Characterization, Part II
March
F 3
Chapter 6: Long Ago and Far
Away>>Fictional Place and Time
T 7
Character sketch or anecdote due for class discussion. (You may use one
of the writing assignments at the ends of
Chapters 2 or 6 to begin building your second story, or you may begin in your own way.)
F 10 Continue discussion of sketches for Story #2
T 14 Chapter 7: Call Me
Ishmael>>Point of View, Part I
F 17 Story #2 due
Chapter 8: Assorted Liars>>Point of View, Part II
T 21 Chapter 9: Is and
Is Not>>Comparison
F 24 Chapter 10: I
Gotta Use Words When I Talk to You>>Theme
T 28 Character sketch or anecdote due, for discussion
F 31 Sketches continued
April
T 4
Workshop
F 7
Workshop
T 11 Workshop
F 14 Story #3 due
Workshop
T 18 Chapter 11: Play
It Again Sam>>Revision
April 19-28 Spring Recess
May
T 2
Workshop
F 5
Workshop
T 9
Workshop
F 12 Story #4 due
(rewrite of any previous story)
Workshop
T 16 Workshop
F 19 Workshop
May 23-30 Final Exam Week
Course Requirements
Attendance and participation: Fiction I is a seminar course, not a lecture course. For students, this means more expressive freedom, but it
also means that you share more responsibility for the success of the course. Each student is expected to be well-prepared for class
and to participate in every class discussion; you will need not only to do the reading but
also to consider thoughtfully what you have read.
Excessive absences (more than four) can seriously lower your grade
for the course. Chronic lateness will have the same
effect. Extreme absence problems will result in a
grade of WU. On the other hand, responsible
attendance and diligent participation in class discussion are essential for those who seek
to earn the higher grades. We will work on bits and
pieces of stories on the days scheduled for "character sketches and anecdotes,"
and your contribution to these discussions (both in the form of your own work which you
share and also in the form of the thoughtful assistance you give to classmates in helping
them develop their story ideas) will constitute an important part of class participation. You
will be awarded a letter grade for your class participation, which will be averaged
together equally with your four story grades in calculating your grade for the course.
Written work: You will submit three original stories and one rewrite
(of any previous story). One of these stories must
be duplicated and distributed for workshop discussion. This
course is a fiction workshop. You must
have a completed story discussed by the class in order to receive a passing grade for this
course. Our goal in workshop discussion will be to
explore and appreciate one another's work and to provide constructive suggestions for each
writer. Length: Each of your completed stories must be l,000 words or
more (at least four pages, typed, double-spaced). Save
a clean copy of your work, or be sure you save it on a disk. You may not submit my graded copy for the workshop. Lateness: Any story submitted after the due date will be dropped
one half of a letter grade for lateness during the week following the due date, and an
additional half of a letter grade for any subsequent week/s of lateness. This policy is intended to help you stay on schedule;
otherwise, the work will pile up on you in the latter half of the semester.
Duplicating your story for Workshop Discussion: When you have scheduled your workshop (during the second
half of the semester), you will make copies of your story for the class. You must duplicate a clean copy of the story, not my
graded copy. This way, members of the workshop
will not be influenced by my written comments on your story, but will form their own
opinions and suggestions. It is more useful to you,
the writer, to receive a variety of suggestions and reactions to your work during the
workshop discussion.
We can no longer use the Faculty Duplicating Center for copying
student stories, as we had in the past, so you will need to be responsible for copying
your own work. There is a CopyCats copy center on
Lexington Ave. between 70th and 71st Streets (phone: 734-6236) and a Kinko's Copy Center
at Lexington Ave. and 78th Street (phone: 628-5500). If
there is a Staples store near you with a do-it-yourself copy center, their prices are
often the lowest. You must distribute your copies
at least one class period before your story is to be discussed, since the class must have
time to read your story in advance of your workshop date. You
are only required to copy and distribute one story for workshop discussion.
Grading: I will average together the four story grades and your
letter grade for class participation. The rewrite
grade (Story #4) is an additional letter grade; it does not replace the grade on the
previous draft. Also, when submitting your
rewrite, you must attach the previous, graded draft (#l, 2 or 3), since the rewrite grade
depends upon how effectively you have revised your earlier work.